Black Forest Gateau

“You brought a rock to a gun fight?”

— John



 

The Cake Is Not A Lie

Marina takes Ashley down to reception and asks Luna to fetch them more appropriate clothing. Luna comes out with a bundle of white clothes.

“I’m pretty good at telling size,” she says, “but if anything doesn’t fit, let me know and I will find something else for you.”

“I’m sure these will be fine, thank you.”

With clothes in hand, Marina leads Ashley to the first row of terraced cottages. There are about three rows in this part of the estate, although there are more elsewhere, and each row has about twenty houses in it. Each ‘house’ is little more than a cell containing a bed, a desk, a storage chest, and a bare shelf. A small bathing area and toilet has been added to the rear of each cell; presumably, the richer members didn’t enjoy the concept of a shared bathroom. Either that or the cult doesn’t want to make people feel too uncomfortable. At least, not at first.

Thomson has been assigned number 11.

“Now, Ashley, you know we don’t allow any electronic devices on site. Anything you brought with you, I will take and lock away for safekeeping during your time here.”

“OK. I’ll just go and get changed first, so I can go through my pockets properly and make sure I haven’t missed anything.”

“Very well. I’ll wait here for you.”

Thomson goes into the tiny house and shuts the door. They quickly change and then scan the space for somewhere that might prove safe from snooping eyes. Under the storage chest, they see a suspicious floor tile. Lifting it, they find an old Sony Walkman cassette player containing Donna Summer’s I Feel Love – The Collection. The tape barely moves when they press play — it has been there a long time.

Thomson stashes everything they don’t want found, debating for a while whether to try concealing their gun under the yoga pants. The material is baggy, but it’s also fairly thin, so they decide to hide the weapon. The only thing they keep is the earpiece and a burner phone. Luna knows they had a phone, but it’s unlikely Marina is going to check whether the phone they give her is the one they showed Luna.

Ashley goes back outside and hands the burner over to Marina.

“Thank you,” Marina says. “Now, let’s go and find Topaz. I believe she has developed some exercises that should help you work through your blockages while being adapted to your intense sensitivity.”

“That would be great!” Ashley says with enthusiasm.

In the cave, Bea holds up her hands in a placating gesture. “Quartz,” she says. “Bert! Thank goodness we found you. What are you up to?”

“Who are you?” he demands, gun never wavering.

“I’m… Look, you don’t know me. C sent me. How much do you remember?”

“What do you want?”

Bea swears. “Great. Look. Do you remember C? Do you remember your name?”

“I’m Quartz. Who the hell are you and what are you doing here?”

“C sent us. You were here to infiltrate the cult, but you went dark. So C sent us to bring you back. One of our team has managed to infiltrate the main compound, and we came here to see what was what.”

“Are you spies?” He seems agitated. “Spies and traitors!” he yells, taking a step forward. “We have enough spies and traitors! Get out! Get out!”

“Okay. Okay. I’m going.” Bea turns to leave and allows herself to stumble. She grabs a rock from the cave floor and then whips round and hurls it at Quartz’s head.

He leans slightly to one side, and it whistles past his skull, parting his hair. His eyes narrow. He aims the gun between Bea’s feet and fires. The shot reverberates around the vast echo chamber, the loudest thing Bea has ever heard in her life. It feels like it has ruptured her eardrums. The bullet kicks up dirt, turning the air gritty.

“Try anything like that again,” Quartz says, although Bea can barely hear him over the ringing in her ears, “and next time I will not miss.”

He gestures with the gun to indicate she should precede him.

“All right. All right! I’m going!”

She makes her way back to the cave entrance, still trying to convince Quartz she’s on his side.

Maya and John hear the gunshot from where they are sitting outside at the picnic table. It is so loud, at first they wonder if there has been a cave collapse, or Bea has set something off down in the depths of the cave. They move cautiously towards the cave entrance, and before too long see Bea edging her way out, talking to someone over her shoulder.

“It’s all right, QUARTZ,” she says loudly, so Maya and John can hear. “I’m leaving. You don’t need to HOLD THAT GUN ON ME any more.”

Quartz waits until she has stepped through the gate, then closes the gap. “You’re right,” he says. “I don’t.”

He heaves the gate shut with a clang and locks it, pocketing the key, before retreating far enough into the cave that they can no longer see him.

“DAMMIT!” Bea exclaims. She peers through the gate. Is that the dull glint of a gun she can see just as the light fades completely? Maybe.

“What was that? What happened?” John asks.

“That was Bert. He’s completely forgotten who he is!”

“What happened down there? You said something about a gate to hell and then told me to leave,” Maya says.

“Well, I have a magical armour, and I could protect myself from the effects of the magic down there, but I couldn’t protect you. I got way down deep into the cave and there was this orb hovering over the water. The weird thing about it was that it looked like a piece of technology, not something magical. Even with my armour, I physically couldn’t get close to it. Lost my damn bolas trying to knock it off its perch. I could only stay down a couple of minutes. Then, on the way back, Bert attacked me.”

“That gun didn’t look too good,” John says.

“Well. To be fair, that was my fault. He wasn’t listening to me, so I threw a rock at his head.”

“Wait. You brought a rock to a gun fight?”

Bea rolls her eyes at him. “What I want to know is, how is he surviving that? He seemed completely unaffected.”

“Maybe that’s why he can’t remember who he is,” Maya suggests. “Maybe that’s the effect it has on him.”

“It didn’t have that effect on you, though, did it? What did it feel like to you?”

“I don’t know about you two,” John says, “but it felt to me like my bones were turning inside out.”

“Same here,” Maya agrees.

“I didn’t get as deep as you, but it got me all turned around. Just as well you did send Maya out,” John says. “I was stuck in there until she grabbed me and brought me out, but I didn’t forget who I was, just where I was.”

“I just don’t think that it was what caused him to forget. He just seems to have gone really deep into his role. I don’t understand how he can be down there,” Bea says.

“Maybe the Orb has chosen him as its guardian or something,” Maya says.

Bea looks dubious, but it’s as good an explanation as any.

“So what do we do now?” John says.

“We should probably report to C,” Maya replies. “Then we can think about where we go from here. There’s no point trying to get back into the Cult. Oh, and we got the report back from Dakota on the amulet. He says the picture was of a page from a book. Some of the text is Enochian, which is the language used by angels, and the symbols are something that could be used for summoning an Elder God. It’s really old, and the god hasn’t been summoned in a very long time.”

“Oh. Right. Not good,” Bea says.

“I’ll do the honours then, shall I?” John says reluctantly.

Covenant issue phones have encrypted calls and C’s office on speed dial. It rings for a few moments and then C’s PA, Jane Darling (codename IGRAINE), answers.

“Hello John,” she begins, “do you—”

But John is already giving her a run-down of what they’ve found so far. Darling waits for him to finish, then says, “Do you want to speak to C?”

“Do I have to?”

“No, John, you don’t have to. I can’t force you to. I do not have a gun to your head. Bullets do not travel down the tiny holes in a microphone to emerge from the not-so tiny holes in a speaker.”

“I suppose I’d better,” John says, as if he doesn’t quite believe her.

“I will see if she’s available.”

Darling puts him on hold, and John turns on the speakerphone so they can all listen to the acapella yodelling Darling currently has set to torment people.

“John,” C says. “You have something for me?”

John is obliged to repeat it all again.

“Going native is always a risk with Gawain. I’ll have a word with his…” she pauses, as if looking for the right term, or a term that will do for the present company “…counsellor. And have you heard from Thomson? Is the only contact you’ve had from them when Maya dropped off the communicator?”

“Pretty much,” Maya says, “although they sent us a photo of a book they found. I sent it to Dakota and he says—”

“Yes, he sent me a copy for the file. I have read his findings. Well, keep up the good work. Let me know if you make any further progress. I’ll be in touch about how to handle Gawain.”

She hangs up, and John looks at his phone in disgust. “Fat lot of help that was, ” he says.

They head back down to the car. Maya rummages around and finds a GPS unit as well as several maps of the area — including what appears to be a simplified map of the caves. The writing on it is old French, faded copperplate and careful block lettering. The hotel entrance is at the west end, and the cult’s compound nestles in the middle  of the almost-horseshoe shape formed by the two main arcs of the system. Another branch heads off to the north-east, and there are some side branches and additional complexes to the south. Where they have just been is part of the south-east branch.

“We could try getting back in through the hotel,” Bea says. “Or look for another entrance. See? That could be one there.” She indicates a mark up in the north-east branch.

“Sounds like a plan,” Maya agrees.

They lay the cave plan out and compare it to the other maps, trying to find a route that will get them to what they think is another entrance. It’s on the other side of the mountain ridge. They’ll have to find a way round.

“Maybe we should just go back to the hotel,” Bea says. “Do you think Merlin has put a portable canoe in here somewhere?”

“Not sure I’d want to use a portable canoe that Merlin had built even if he has,” John mutters.

“Look. Why don’t we go and get something to eat while we think about it?” Maya says. “I’m starving.”

“You’re always peckish!” John replies, eliciting groans from everyone else. “Let’s go then.”

Back at the compound, Marina takes Ashley to meet Topaz. Topaz leads Ashley on what turns out to be quite a long walk across the estate and through the trees to the edge of the mountain. They avoid the main entrance to the cave system and go to a smaller cavern further along the cliff. It goes back about 10m into the rock, and is a rough, irregular teardrop in shape, the space overhead narrowing into a crack that disappears into the mountain, just as the rear of the cave pinches into darkness. The floor of the cave has been covered in a thick layer of pristine white sand, and crystals and windchimes hang from irregularities in the cave walls. Candles have been stuck everywhere there is space to stick them, and the flickering light reflects from and refracts through the gently swaying crystals, covering the white sand in dancing colours.

Topaz sits Ashley down and takes them through a couple of hours or so of various exercises involving lots of different breathing patterns, visualisation, and self-awareness exercises. To Ashley, it feels both as if hardly any time has passed and it is years later when Topaz finishes with a final relaxation exercise.

“Before we go, has Marina spoken to you about the Great Eel at all?” Topaz asks. She speaks easily, but Ashley can tell there is some hesitation here, a slight nervousness or wariness, as if she is taking a risk in asking this question.

“No, not really. Why?”

“It’s just that, well, some people can become confused about what we are trying to achieve here. They can let their own gifts, their talents, blind them to the reality and lose their groundedness.”

“I don’t understand. What do you mean?”

Topaz stands and brushes sand from herself, then starts pinching out the candles, each one darkening with the slight hiss of dampened fingers and a smell of carbonised wick. “You are very new here,” she says. “It’s just that, with you being so sensitive, I was concerned that Marina might try to accelerate your path into one of the more advanced groups. It’s good to keep somethings in mind, to stay grounded, even if we are granted extraordinary gifts.”

Ashley can’t tell for sure whether Topaz is referring to them or not but is inclined to think she’s talking about Marina.

“What sort of things? It would be good to know, so I can make sure not to stumble from the right way.”

“Let’s just say that it’s important to remember that this is all metaphorical. Some of us might be tempted, might even have succumbed to the temptation to consider it real. But the Great Eel is not real in the sense that you or I are real, Ashley. The exercises we do here, the work we do, is about personal empowerment, not literally summoning an actual giant eel. Do you understand?”

“Yes, yes I do,” Ashley says, relieved. “Thank you for that excellent advice. I will remember that the work is metaphorical and stay grounded.”

“Good.” Topaz finishes snuffing out the candles. It’s dark outside, the moon glimmering shyly through the leaf canopy .

“If it’s all right, I would like to walk back by myself,” Ashley says. “Take the long way round, to give myself a chance to process.”

“Of course. Stay away from the entrance to the main cave system, though. It’s very, very easy to become lost.”

“I will.”

Topaz sets off towards the residential area with a purposeful stride.

Thomson leaves the cave and follows at a slower pace and on a slightly less direct path.

“Can you hear me?” they say, assuming that anyone noticing them talking will think they are talking to their spirit guide.

After a while, Maya responds, her voice weirdly distant but close at the same time. “Hey Thomson! How are you?”

“I’m good. Just walking back to my room. Thought I’d better check in. By the way, you’re my spirit animal now.”

“Your what?”

“Spirit animal. I had to come up with a reason for you visiting me as a seagull, and they bought it.”

“Cool.”

“I’m hoping there’ll be something better for dinner than the leaves and berries we had for lunch. I’d better go.”

“Okay. Keep in touch!”

As Thomson arrives back at the accommodation, the man who spoke to them at lunch approaches.

“Hey. Remember you said you’d let me use your phone,” he says.

Thomson’s phone is hidden in the floor of their room. Feeling like it would be unwise to lie and say they’d handed it over to Blavatsky, they say, “Are you sure that’s what you want? You’ve already been here for two weeks.  You’ve made so much progress in that time. Do you really want to undo it all now? And for what?”

The man looks taken aback. “I mean. I suppose… When you get down to it, the internet is a dumpster fire of hissing scorpions. I’m only here for another two weeks and… I have to confess, I haven’t really missed facebook. Certainly not twitter. I just wanted to look at kitten photos. But once I get out of here, I could get an actual kitten instead.”

“You absolutely can do that. Then, instead of looking at vacuous photographs that are little more than clickbait to trip a dopamine signal in your brain, you can form a meaningful relationship with another living being and bring light and joy into the world.”

“You are so right. Thanks. Thank you!”

He walks away, dazed, looking like someone who has had an epiphany.

Later, with no dinner in sight, Thomson decides to go for a walk to stave off the hunger pangs. It’s approaching 11pm, and everyone else is in bed. They fetch their gun out from its hiding place, then debate whether to put their own clothes on. It would probably be less suspicious if they were found and were wearing their cult clothes., though, so stick with obvious white.

Out into the cool night they go, following a vague instinct and trying to avoid any smelly man camps.

As they set off in search of some food, John’s phone rings. The caller ID says MERLIN.

“Oh gods,” John says. “What the hell does he want?” He thumbs the call accept button. “Hi Merlin.”

“John! Team!” Merlin bellows. “I understand you’re having trouble with Gawain. Not at all unusual, this is why we put a tracker on him, of course.”

“Right.”

“What you need to do is say the following: Looking at the cake is like looking at the future. Until you’ve tasted it, what do you really know? And then, of course, it’s too late. Then give him some cake. Ha ha ha ha ha.”

“Excuse me?”

Looking at the cake is like looking at the future. Until you’ve tasted it, what do you really know? And then, of course, it’s too late. Ha ha ha ha ha. Then cake.” There is a pause. “Oh, you don’t have to laugh, that’s not part of it. I amuse myself, that’s all. Doesn’t matter what cake. Any cake will do.” Another pause. “Best if you can get him to eat it, though. Right? Great stuff!”

There is a long beep and he hangs up.

“I guess we’d better find a patisserie,” Maya says.

“I don’t think even French bakeries are open this late.”

“Well, a supermarket then. He said it didn’t matter what kind of cake. We can just pick up some chocolate buns or something.”

They drive into town and find a supermarket. They are about to go in to find some food and some cake when a voice hisses from somewhere in the back of the car.

“Hey guys!” They sound like they’re trying not to make too much noise.

Maya rummages through the road trip detritus, piles of maps, and scattered kit for the comms box.

“Are you there? Can you hear me? I can’t be too loud in case someone hears me.”

“Hey Thomson!” Maya says, finding the box and thumbing the switch. “How are you?”

“Oh, I’m good. This place is amazing, but I think the dude with the amulet is trying to take over and do something bad. Although they don’t seem to serve dinner. I’m starving. Thought I’d go for a walk.”

“Fancy some company?” Maya asks.

“Yeah. That would be good, actually.”

“We’re heading to a supermarket to get food. We need to take cake to Gawain.”

There’s a long pause before Thomson’s voice sounds, slightly treble-heavy through the speaker and clearly confused. “Right?”

“I’ll tell you later. I can bring you something if you like?”

“That would be great.”

John is already inside, and Maya can just about hear him through the open door, yelling, “Excusez moi! Je cherchez le gateau!”

“Get some roulade!” Maya calls to him, before saying to Thomson, “OK. Don’t walk too fast.”

Maya heads inside, where John and Bea are choosing cakes. They grab a selection of pastries and savoury snacks then head back to the car.

“Will you be able to find the cave entrance?” Bea asks.

“It’s a long way to fly to the new entry point,” Maya says, putting a couple of cupcakes into a small plastic bag.

“No, we’re going to the last one, to find Bert,” Bea says.

“Are we?” John is surprised.

“We might as well.”

“Oh, sure. I can find that okay,” Maya assures them.

“Right. So you’ll go see Thomson and we’ll go get Bert.” Bea repeats the plan, as if needing the confirmation that they all have the same one in mind.

“Yes,” Maya agrees. “I just need a plastic bag or something to take some food to Thomson.”

John digs around for a small bag while Maya gets changed. He puts a couple of cakes and un demi jambon-beurre into a bag and Maya grabs the handles in her beak. She flies once round the car to test the weight and balance, then heads off towards the Estate.

Avoiding the rookery, even though corvids are better sleepers than seagulls and are unlikely to be up and about, Maya soars low over the trees, looking for a solitary figure wandering through the trees. Soon enough, Thomson’s ghostly white clothes glimmer through the darkness near the tree where Maya had found them earlier.

“Oh, you’re a life saver,” Thomson says as Maya lands and drops the bag at their feet. They cram bread and cake into their face. “Mmm. Oh yeah, this is good.”

Maya transforms herself back into a human. “So, how’s it going?”

“It’s going great!” Thomson says. “The woman who runs this place, Marina, she’s amazing. She is super cool. And all she really wants is for people to be their own empowered selves, you know? I feel like I could learn so much here. But there’s this dude with the amulet, and I’m almost completely sure he’s up to something, although he hasn’t done anything actually to me, you know? He could have said something about me finding the book, but he didn’t, and I actually find that really suspicious. And there’s Topaz, who is also really cool. She was giving me some one-to-one training earlier, and she told me I had to beware not to fall into the belief that what’s happening here is real. She said that it’s important to remember that what we’re doing is metaphorical, and it’s about personal growth. She said there are some people here who believe they are really summoning something, and I think that might be what the man with the amulet is trying to do. I think he’s trying to use people here, people Marina has trained to use their power, and he wants to summon something. Something bad.”

“You think that this Blavatsky woman is okay?”

“Yeah! She is really trying to look after me. ”

“Are you sure you’re all right, Thomson? This doesn’t sound like you. This is a whole other side to you I’ve never seen, all this meditation and stuff.”

Maya doesn’t try very hard to conceal her scepticism, but Thomson is oblivious.

Thomson waves a dismissive hand. “Oh sure. My parents were into all of this stuff. I basically grew up on a commune. It’s kind of nice to revisit it.”

Maya tells Thomson what Dakota said about the book page Thomson photographed.

“That kind of supports my thoughts about what’s going on here,” Thomson says thoughtfully. “Maybe the amulet dude is trying to summon the Elder God.”

“Oh, and we found Gawain. He’s gone deep undercover and nearly shot Bea.”

“Oh wow.”

“Yeah. Merlin gave us a code phrase to use to try to snap him out of it, which is why we were buying cake.”

“Cake.”

“Yes. It’s part of the technique for trying to get him to remember himself.”

Thomson bites into a blueberry muffin. “Sounds like a very specific post-hypnotic suggestion. You know, so no one could accidentally force him out of deep cover by saying something like ‘heliotrope’ at just the wrong moment.”

“Could be.”

They carry on walking, following a path that leads — eventually — to the main part of the estate, where the big house and the accommodation blocks are, but which currently runs parallel to the rocky foot of the mountains.

Thomson becomes aware of a pull, as if they were a compass needle held close to iron. As soon as they pay attention to it, it becomes stronger, more alluring, less resistable. It feels important.

“Sorry, Maya, I have to…” They don’t know how to explain this. “I feel like I have to go over in this direction. There’s a strong draw. I don’t know how to describe it, but I have to go.”

” I’m coming with you.” Maya transforms herself back into a seagull.

“Fine,” Thomson says. “Maybe just walk or something, though? Having a companion animal is one thing, but I think they might suspect something if you start living on my shoulder like a pet parrot.”

They begin walking in the direction their internal compass is pointing, and Maya takes to the air to follow.

John hefts his baseball bat. It’s their only weapon. They wander up the path to the gate to where they last saw Quartz, and Bea sets at the lock with the picks.

“DAMMIT!” she exclaims, as the pick breaks in half, the pieces falling on the ground. Unseen, sparkles drift in the darkness of the cave, some of them even passing through the bars of the gate. “Now what?”

“I could have it with my baseball bat?” John suggests dubiously.

“I don’t see what other choice we have,” Bea says with annoyance.

He takes a few steps back, then attacks the gate. A the bat swings, the enchantment kicks in. It accelerate, smashing into the hinges, and smacking the gate back against the wall of the cave so hard it bends with a loud CLANG and a screech of tortured metal. Sparkles swirl in its wake, and John finds he can’t pull it free and, suddenly, his watch slides off his wrist to stick to the bat. All of Bea’s pocket change shakes free from her jacket and flies to stick on the bat, even though it’s non-ferrous. John finds himself being dragged towards the bat by his belt buckle. All metal is affected. The gate groans and creaks as it tries to fold itself around the bat.

“Shit!” he yells. “Bloody Merlin!”

“What’s happening?” Bea exclaims.

“It’s the bloody base bloody ball bloody bat!” John says, fumbling with his phone and trying to hit speed dial without losing it to the intense magnetic attraction.

Merlin picks up almost at once. “What what?” he booms.

“Your bloody baseball bat has turned super magnetic! What do we do?” John yells.

“Oh. Sorry about that. Thought we’d ironed that one out.” He audibly strokes his beard, then catches his own unintended pun. “HA HA HA HA HA. Ahem. Use a minor cantrip to de-enchant it. That should solve the magnetism problem, although it will lose the enhanced qualities as well, of course. You should get them back in an hour. Probably. Cheerio!”

“Bloody Merlin! Bea. Can you do an enchant weapon on this thing and, I dunno, unenchant it instead?” John asks, desperately sliding across the ground, pulled by belt buckle and phone.

Bea mutters a cantrip as another coin works free from her pocket and flies to the baseball bat. That last coin takes just enough pressure off John for him to hold his ground until the cantrip is done and the baseball falls in a dead weight to the ground.

He picks it up. It no longer feels light and lively in his grip. It’s the weight of a medium sized sledgehammer, and he can feel every gram of it.

From the depths of the cave comes the sound of footsteps. More than one, by the rhythm, although that might be the echoes braiding around one another in the cave’s complexity.

“Uh-oh,” John says.

Bea motions for him to go on the other side of the cave entrance, where he won’t be seen. He hefts his deadweight baseball bat, regretting having brought it. She stands on the other side of the cave entrance, cradling cake. John mugs a SERIOUSLY?? expression and Bea shrugs. Her bolas is gone. What else is she supposed to do?

As the footsteps grow closer, they sound heavier, louder. It’s not a person, it’s a giant.

John tightens his grip on his baseball bat.

After what feels like a lifetime of waiting, an enormous figure emerges from the cave. It spots Bea.

“YOU!” it roars. “YOU KILLED MY BROTHER!”

“Wait…” Bea says, holding up one hand. “What?”

This is Twin 2, whom Bea afflicted with a bad case of wet shitty trousers before the team unceremoniously barbecued his brother. And he’s not stopping.

John whips round in a crouched swing at Twin 2’s ankles. The giant is moving fast, attention entirely on Bea, and doesn’t see him. He falls fast and hard, sprawling in the dirt until a collision between his head and a particularly sharp rock brings him to a stop with a meaty, sickening thud.

“Oh,” John says. “That’s… Not really had I had in mind.”

“Oh well,” Bea says. “It was him or us.”

“You.” They both turn at the sound of another voice. It’s Quartz, and he’s looking at them both with unconcealed contempt, his gun a slick black source of death and pain.

Bea holds out the cake. It’s a Black Forest Gateau. She has cut a slice.

“Looking at the cake is like looking at the future. Until you’ve tasted it, what do you really know? And then, of course, it’s too late.” She proffers the plate. “Go on, have a bite.”

Quartz’s gun wavers, the muzzle drifting to point towards the ground. His expression becomes conflicted, confused.

“What… What did you say?”

“Looking at the cake is like looking at the future,” John repeats, slowly and carefully. “Until you’ve tasted it, what do you really know? And then, of course, it’s too late.”

Bea breaks off a piece of the cake and practically forces it into the Section 7 agent’s mouth.

“Who are you?” He swallows part of it, but spits out most, wiping his mouth with the back of his hand and eyeing it suspiciously, as if he’s expecting poison.

“More to the point, who are you?” Bea asks.

“I have no reason to tell you.” His eyes are sharp now, suspicious rather than paranoid.

“Are you Bert?”

“That depends on who is asking.”

Bea starts to get exasperated, but John says, “Is your name Bertram St Joh Cholmondleigh Featherstone-Hawe?”

Gawain relaxes a little, his stance going from say one thing wrong and I will kill you to this is a dangerous situation, but you are not my enemy. “You’ve read my personnel file. What are you doing here?”

“You went dark, man,” John tells him. “We were sent to find out what had happened to you.”

“Just you?”

“No, there are another two of us in the team. One of them has infiltrated the cult.”

“Infiltrated… Are you mad? Does this hunter have any magic powers? Are they powerful in the occult?”

“Not that we know,” John says with a shrug.

“Listen to me. Tell C that Sebastien Strunk is back. We didn’t take him down last time as we thought. Tell her. She will know what I mean. He is subverting the cult to gather enough power to summon his abomination of a god Yigg. If he succeeds, it’s the end of everything. The human race is finished. I’ve been stopping him getting close to the Orb, because without it he can’t enact his plan, but he needs to be stopped. Permanently.”

“The Orb!” Bea exclaims. “How are you able to be close to it?”

“Does it matter?”

“Well, maybe,” Bea says, angry now. “We’ve got a job to do here too , you know.”

“I…” He breaks off, uncertain again. “I don’t know. Something that Marina did. I can’t explain it. Something to do with blood, perhaps…” He stars at the ground for a moment. “You said there were two others. Where is the other one?”

“She’s flying in to check on our undercover hunter,” Bea says.

“Flying? Is Merlin supplying microlights to hunter teams these days?”

“Not exactly.”

“Explain.” He almost barks this order, and Bea finds herself explaining almost without deciding to.

“She can transform herself into a seagull. She’s flying in as a seagull.”

Gawain’s expression turns dismayed, then hardens. “You fools! You are sending someone who is capable of that kind of magic in there and you think they won’t be able to tell? They will take her and use her to fuel their plans. Why the hell is C using such barely competent hunters?”

“Harsh,” mutters John.

“You need to get them out. Both of them. There’s no time to waste. Get in touch with C and give her my message, but get your teammates out!”

He turns and starts heading back into the cave.

“Wait. What are you going to do?” Bea asks.

“I have to make sure Strunk doesn’t get near the Orb. Right now, there’s nothing more important than that.”

“What if you lose yourself to your cover? Again?”

“That’s a risk I’ll just have to take. But for future reference, I can’t stand chocolate.”

He returns to the cave and forces the gate shut again.

Ashley’s sixth sense leads Thomson and Maya to the main entrance to the cave complex. Ashley goes inside, drawn by the potent signal. Maya hangs back until she can no longer see Thomson, then heads into the cave.

Ashley sees the cave filled with a blue light. It is intense, the colour of the third-eye chakra, Ajna, the chakra of intuition and imagination. It fills them with excitement, a desire to belong, to participate. They hear chanting, a glorious, endless sound ; numerous voices with one aim, one goal, their combined effort washing through the cavern with no pause for breath.

As they move deeper into the cave, the feeling grows, this desire to belong, and they begin to see wisps of light flitting through the blue, like swallows made of mist.

Maya jumps up in front of Thomson, flapping and squawking, trying to turn them back. She can see the blue light, and hears some deep chanting noises, but that’s it.

“Get off!” Ashley says. “I need to see.”

Maya keeps flapping, and the ghostly swallows grow in number as the chanting grows louder and the blue becomes more intense, almost to the point of tingling on their skin. Sparkles form in dancing clouds like mayflies.

Maya stops, unwilling to progress any further, sure that Thomson wouldn’t go on alone.

Just as they are about to turn a corner that would put Maya out of sight, Thomson kicks a corner of Ashley’s mind into paying attention and they decide to turn back. Maya can’t wait to get out of there and goes on ahead. Thomson follows, wondering if this is the right thing to do.

As they exit the cave, a jeep pulls up. A woman clambers out. She is tall, blonde, dressed to enhance her naturally generous curves, and has a smirk on her carefully-painted lips. Knives glint at her belt, and she carries herself with the ease of someone trained in martial arts.

“Hello, pretty pretty,” she says huskily. “What are you doing here?”

Ashley swallows. They are not supposed to be here. “Well, I was walking back to my accommodation when I experienced the profound feeling that I should be here,” they say.

“Really?” The woman arches one eyebrow. “Well I think you should be here, too.”

“Why? What’s happening in there?”

“It’s the big Interface practise before the main event, darling.”

She smiles the kind of smile that could bring susceptible persons to their knees. and then walks into the cave.

Ashley realises that this woman means them no harm. Her one and only priority in life is looking after… Sebastien. She might be prone to jealousy, but only if she believes someone is intruding on her space, and her space is Sebastien, whoever that is. The man with the amulet. She is his bodyguard, lover. Paramour.

And she’s going inside to keep him safe while he makes sure he has the people he needs primed to help him summon Yigg.

And now Ashley wants to go back inside, whether Maya agrees or not.

An image showing occult symbols
The photo Thomson took – NOT an amulet, Maya.

Dakota submitted a copy of this email for the mission file. See to it would you please, Darling?

 

RE: Thomson’s photo

OK, so you said this image was an amulet, but the image was probably a book of some description, and there was more than one image on the page…

We’ve talked about this. You need to be SPECIFIC.

One of these images is alchemical. It’s part of the tree of life, a sort of Kabbalistic map showing how to give the magician (or alchemist, if we’re being pedantic) the power of God. Or a god, anyway. Immortality and enlightenment.

The one on the top left is Enochian, which is angelic script. That’s the language used by angels when they want to write notes to each other. If Archangel Gabriel scribbled his shopping list on a PostIt, it would probably look like that. Well, not that like, because that’s a summoning nonagram.

In Enochian.

Ask yourself: what kind of being would angels want to summon? I mean, how badly do you have to piss off an angel for them to summon something other than an angel to come along and do their work for them? How dirty does a job have to be that even angels, not known for being averse to some pretty heinous works (we do remember pillars of salt etc, right?) would want to summon something else to do it instead?

And what would that look like when it arrived?

Underneath is some random collection of occult symbols — an alphabet of sorts.

The clearest image on the page is the symbol of an obscure Elder God called Yigg. When I say Elder God, I mean the King in Yellow, Mountains of Madness, eldritch horror from the cosmic beyond kind  of Elder God. Maybe the kind of Elder God an angel would summon if they thought, “Boss, I love you dearly, but dude this shit is awful and Imma gonna have to ask a favour from someone with even fewer scruples than I’ve got, my man.”

This stuff is old, too. I had to call up the Covenant and get one of their people to look in the main Archives, because the schism happened after this was written.

Yep. That old.

I don’t think this Elder God has been summoned since before the Schism. I bet he’s really bored and just itching to get back out into the world. This page seems to suggest that someone able to summon this god would achieve immortality and the kind of power that would make an actual angel sit up and take notice.

What the heck have you found out there, Maya?

 

 

“There’s only so much vaguely fishy digestive juice Thomson would be prepared to put in their ear”

 



 

ANIMAL MAGIC

John turns the crisp packet upside down and shakes it, then offers it to Maya so she can fetch out the last of the paprika-flavoured crumbs. He drops the earpiece into the crisp packet and folds over the top, then hands it to Maya. She takes it in her beak and flies once round the vehicle to make sure it doesn’t interfere with her flight too much, before flying off towards where she last saw Thomson.

As she soars towards the tree under which Thomson was sheltering, she passes by a rookery. The rooks and jackdaws spot her and the shiny crisp packet, and descend en masse, croaking and cawing. They mob her, attracted by the shiny crisp packet. Despite her best efforts to fend them off, a particularly bolshie rook smacks her over the head, and she drops the crisp packet, only for an opportunistic jackdaw to snatch it out of the air and fly off with it.

With no other option available, Maya flies back to the car.

“What happened?” John asks, not expecting to see her again so soon.

“I was attacked by some crows,” she says. “I lost the transmitter.”

“What? You?” John starts laughing. “But you’re a great big herring gull! You’re a ninja in feathery form!”

Maya’s feathers are ruffled even though she’s not currently wearing them. “There were loads of them!” she protests. “And they were huge! And vicious!”

“If you say so. Well, I guess we’d better see what else we can find to replace the transmitter.”

John goes digging through the accumulated roadtrip detritus in the back of the car and eventually finds something that looks like the chopped-off end of an earbud. It’s not as small as the lost one, and it would be visible from the right angle, but it’s got to be better than nothing, right? Maya finds a small, handheld unit that makes a series of rapid clicks like a sperm whale homing in on a giant squid when she points it at the various bits of electronic wizardry in the Section 7 kit.

“This was made by Merlin, wasn’t it?” John says rhetorically. “So it’s magically enhanced. I dread to think how it will go wrong.” He remembers the underwater breathing apparatus that attracted sharks, even if sharks didn’t even live in that area. Those things could attract sharks in a landlocked freshwater lake. What the hell will one of his comms devices do? “Suppose it must have decent range on it, though.”

Maya pulls a receiver/transmitter from the case. It’s a box about the size of six audio cassettes stacked together. “We can bring this with us and find out.”

Everyone agrees that the crisp packet plan was somewhat flawed, and they don’t have any more crisp packets anyway, so this time Maya just takes the earpiece in her beak, careful not to swallow it down into her crop. There’s only so much vaguely fishy digestive juice Thomson would be prepared to put in their ear.

She avoids the rookery on her way back to Thomson, and lands on the far side of the big tree from the yoga class, which is still going on. She walks carefully around to where Thomson is still sitting, mindful of Topaz watching Thomson, and paddles around on the grass a bit as if looking for worms before lowering her head to set the earpiece on the ground within Thomson’s reach. She wanders off, pecks a bit at the ground for the sake of appearances, then launches herself back into the air and heads back to the car.

Thomson reaches with one hand to feel where Maya had obviously left something, careful not to look at what they’re doing in case Topaz asks to see what they picked up. It’s something small and feels vaguely electronic; they stuff it in their pocket for later.

Just in time; class finishes and Topaz comes over.

“How are you feeling?” she asks with genuine concern. “You seem to be finding everything very intense.”

“Yes, sorry. It’s just this place. It’s great, but I find it very overwhelming.”

“You must be very sensitive,” Topaz says. “I shall have a word with Marina and see if we can come up with some exercises that will suit you better without being too intense for you to cope with.”

“That would be wonderful, thank you.”

“Did I see you talking to a seagull just now?”

“Well,” Ashley says, “A seagull landed very close to me and came over. I couldn’t say if I was talking to it. I’ve always got on well with animals. I seem to have a calming effect on them.”

“Do you think that the seagull might have had a message for you? Had you considered that it might be what we call a companion animal, some sort of spirit guide?”

Ashley’s eyes widen. “I hadn’t considered that at all. Do you really think so?”

“Well, we wouldn’t normally expect to see a seagull here in the mountains so far from the ocean, and it came very close to you, so I would say it’s a very strong possibility, especially given how sensitive you are.”

“That would be wonderful. I never dared to hope that something like that could happen.”

Topaz smiles almost fondly. “We have a library in the main house, and while Marina doesn’t really like people using it unsupervised, I’m sure she will make an exception for you. I will tell her you need to read up on companion animals.”

“I’d be so grateful.”

“Good. Come on, I’m sure it must be time for lunch.”

Back at the car, the rest of the team consider what to do next. Maya plays with the volume controls on the receiver, turning it all the way up until she can hear what sounds like rustling noises. “Seems to be working,” she says with a shrug.

“I suppose our only other option is to go to the cave where C said they last tracked Bert,” Bea says. “We don’t have any more leads.”

The others agree.

They check the map and then navigate back onto the D8 and drive until they’re as close as they can get. Parking up at the side of the road, they find the track that leads into the woods, towards the mountain. It’s not a long walk, but it’s a hot day, and they are high in the Pyrennees. The air is filled with the scent of greenery and the songs of birds proclaiming their territories – presumably in French, although it doesn’t sound that different from British birds.

They follow the stone track until eventually they reach the cave entrance. It is blocked off by heavy iron bars, the door locked with a sturdy padlock.

“Did you bring the boltcutters?” Bea asks.

John pats his pockets. “Strangely enough, no.”

They all traipse back to the car.

At lunch, Ashley is sitting down at a long wooden table set out in one of the courtyards near the small houses where the guests stay. Everyone around the table is dressed in white except for them. The table is loaded with a vegan feast of fresh vegetables, fruits, salads, nuts and grains, most of which look like they were probably grown on the farm. They glance to the top of the table, where Marina Blavatsky is listening to Topaz murmuring something close to her ear. She looks straight down the table at Ashley, then turns to the man sitting on her left and says something to him. With a start, Ashley realises that he’s not wearing white, either. He is dressed entirely in black, and the only adornment on him is an amulet hanging around his neck. He meets Ashley’s gaze and, with a smirk, tucks the amulet under his shirt.

The team gets back to the car, moderately hot and bothered, and have a rummage. Maya finds some lockpicks in the Section 7 kit, but Bea insists on bringing the boltcutters, just in case. They also find a few more Merlin toys — a nanofibre rope around 150m long, gossamer thin and feather light, and a compact grappling hook that folds up into a tiny package, like origami.

John shakes his head. “I dread to think how those might go wrong.”

They head back to the cave.

The padlock does not succumb to the boltcutters. Maya hands Bea the lockpicks.

“We know you have something of a dark past, Bea. I’m sure you learned how to pick a lock at some point.”

It’s not necessarily a good thing that Maya knows about Bea’s past — the Sect has a very firm stance on black magic and evil things in general, after all — but Bea gets the lock open and they push the gate. It clangs loudly in the echo-chamber of the cave.

At lunch, Ashley’s pocket makes a loud, metallic noise that reverberates oddly. The man sitting next to them leans over, furtively trying to catch their eye.

“Do you…” He seems hesitant to speak. “Do you still have your phone? Was that a notification I just heard? Could I… Could I maybe borrow it? I’ve been here for two weeks. They haven’t let me even glance at mine since I got there. I haven’t spoken even to my family in all that time. Do you… Do you have facebook? Or twitter even? What’s happening in the world? I feel so lost.”

“This isn’t a good time,” Ashley says.

“Later then? I’m in house number 3.”

“Um… Maybe. I’ll see what I can do.”

“Oh, thank you. Thank you.”

He turns away, as if pointedly ignoring them will make up for him actively soliciting illicit electronica.

Back at the cave, the team creep into what is clearly part of a vast network of tunnels and caverns inside the mountain. Maya takes the transmitter-receiver box from her pocket and thumbs the mute switch. “Should probably have done that earlier,” she says.

Progressing further inside the cave, they come across what appears to be a shallow pit inside a cage. Lying in the bottom of the pit are skeletal remains. Some of them look human, but the others don’t resemble anything currently living. They look old, but Bea recognises a particular kind of accelerated aging in the bones, in the way they aren’t fossilised but delicate and frangible, almost like packed dust. Someone summoned something here, some creature, and then locked it in a cage with a human and let them fight to the death. Maybe one of them survived the fight, maybe neither did; with the remains in this advanced state, it’s impossible to say.

They move on into the cave.

The cavern system becomes more complicated, and it is difficult to tell which way to go. The footprints they have been following head off in multiple directions, and there is every danger of becoming lost down here. They scuff dust from the floor, and it sparkles oddly, like tiny flecks of impossibly bright glitter caught by a powerful arc lamp. Magic is happening down here. There’s probably some sort of magical protection.

Maya checks the receiver, but the only noise it makes is a pffzzzt pffzzzt pffzzzt… pffzzzt pffzzzt… pffzzzt pffzzzt pffzzzt pffzzzt… pffzzzt.

The dust seems to drift in one particular direction, following gentle air currents, and so they decide to track that movement into the cave.

At the compound, Ashley is finishing her lunch with some fresh fruit when Blavatsky comes over. The woman crouches slightly next to Ashley’s chair, and again Ashley feels that comforting sense that nothing bad could possibly happen.

“Topaz tells me you would like to read about companion animals.”

“Yes! I was visited by a seagull, and Topaz suggested that perhaps it had a message for me, and I should try to find out what it is.”

“An excellent suggestion. Come with me.”

She takes Ashley’s hand and leads them to the house, then upstairs to the third floor.

“The library is here,” she says. “My office is just next door. The section on companion animals and spirit guides is over there. If you need anything, please just come and find me. My door is open.”

She goes into her office, leaving both doors open, and Ashley enters the library. It’s much tidier than Bea’s, and not as well stocked. There is room to move, for a start, and no piles of ancient texts and random scrolls lying higgledy-piggledy all over the place.

They’re not sure where to begin, but Thomson decides it will be nowhere near the section on companion spirits.

Further into the cave, and the team begins to feel uncomfortable. There is a sense of something crawling inside their limbs, an itch they can’t scratch; the feeling of being surrounded by midges but unable to swat them away, or a mosquito entering the ear when hands are bound. The further they progress, the worse it gets, until John can’t stand it any more.

“I feel like I need to claw my skin off,” he cries, close to panic. “I need to get out of here!”

“This is serious magical protection,” Bea says. “I need to know what’s down there.”

“I can’t stay. I need to get out!”

“Well, look. You take the communication box and head back outside, see if you can hear what Thomson is doing,” Maya says. “I’ll stay with Bea.”

“OK,” John says, snatching the box, turning on his heel, and booking it.

Maya and Bea carry on, each step making it harder and harder to resist the urge to tear their flesh from their bones with their fingers, their teeth, anything.

Even each other.

In the library, Ashley takes the opportunity to put the earpiece in, wiping gull spit off it on their jacket. Scanning the shelves, they find a pair of what appear to be leather-bound books — what kind of leather they dare not contemplate. They are ancient, battered, and the pages are made of vellum or… Again, best not to think about it. The language is unfamiliar, but the imagery is half Agrippa, half Voynich manuscript. Leafing through, Thomson finds a symbol that they recognise from the amulet that the man next to Blavatsky was wearing. They can’t read the text but recognise some of the other symbols in this section as being the kind of symbol someone might use to form a pact with a demonic entity. Summon the demon, make a bargain, wear their symbol for as long as the pact is in place. Power, riches, long life… The usual.

They quickly dig their phone out and take a picture, sending it to John and Bea because Maya’s still stuck with her stupid Nokia 3210 and it can’t handle pictures.

Saw a guy wearing an amulet, and this is the symbol. Might have a pact with a demon.

Footsteps in the hall outside thud towards the library. That’s not Blavatsky. Blavatsky wafts. Ashley is supposed to be finding out what the heck a seagull means as an animal companion, and Thomson hurries to put the books away before they are discovered.

John follows his own footsteps out of the cave, but before long he realises he should have reached the cage by now, and he hasn’t. He glances at the ground and realises the only footprints that belong to him are behind him, and they all point in the direction he’s facing. Looking around, he doesn’t recognise this part of the cave.

He carefully scrawls an X in the dirt, turns through 180° and follows his own footprints back in the direction he has just come, never looking up from the trail. When he reaches where his steps head off in another direction, he draws another big X in the dirt, then follows those, hopefully in the direction of the cave entrance and safety.

The closer they get, the more familiar this sensation is to Bea. A long time ago, so long it feels like another lifetime, she was in South America, making a decent living working freelance for a number of underground crime syndicates. Each of them thought they had her exclusive services, but she went where the money was, and if someone was willing to pay, well…

One of the crime bosses had acquired, by means about which she had never thought it prudent to ask, a skull. Not an ordinary human or animal skull — he could have had as many of those as he wanted for pocket change — but something else altogether. This was only vaguely human, with a low, flat cranium that swept back from a heavy, anvil-like brow like the landing deck of an aircraft carrier. It was covered in strange symbols that were impossible to copy, so badly did they hurt the eyes. They seemed to move and shift, shimmer as if in a heat haze, following impossible, contorted lines that didn’t exist in normal space. They were not drawn, or carved: they were part of the bone itself. Inside the eye sockets flickered the colours of flame, of molten rock, of iron heated to melting. It gave off an intense, bone-curdling heat, and it was impossible to remain within the same room as it for more than 5 seconds without wanting to tear your own eyes out.

The skull, with the right incantations and some of the type of ingredients that people don’t usually offer willingly, would open a portal to Hell. The effect of the skull by itself was bad enough; being locked in the same room as the open portal had caused one victim to bite the flesh off his arms, all the way down to the bone. They kept it in a lead box, and Bea had developed a magical protection so that she could get into the room where they kept it, take it out of the box, and get out again before she did herself harm. Her one stipulation had been that she only ever had to go in there when there was no one else in the room. She didn’t want to see it in use. She’d heard enough stories on the street to know what they did with it.

Give them their dues: they’d always made sure there was nothing left of what they’d been doing when they’d asked her to go back in and put it away again.

They reach the point where they physically cannot go any further. Chemical reactions that have stopped biology self-immolating since the dawn of time see to that. Every primordial instinct in every cell brings them to a grinding halt.

“Listen,” she says to Maya. “I think I know what’s down there, and I have ways to keep myself safe, but I can’t protect you. You have to go back.”

“What do you mean?” Maya asks. “I’m not letting you go down there by yourself.”

“You must. I can protect myself, but I can’t help you.”

“I don’t understand! How could you know what’s down there? What do you mean? I’m not leaving you!”

Bea bites back on the frustration, knowing that it will make her more vulnerable. She doesn’t want to tell Maya what’s in her past. It is utterly incompatible with the Sect’s mission. Who knows what it would do to their relationship. But what choice does she have? “Look, I used to work for this guy who had a skull that would open a portal to Hell. I think that’s what’s down there. Or something like it. It feels almost the same. I have magical protection I can use, but it only works on me. You HAVE to go back!”

Maya forces another couple of steps forwards, but falls back immediately.

“All right,” she says. “We need to talk about this later.”

She turns and runs.

Bea takes one of her magical pouches from her pocket. She hadn’t thought she’d need this one on this trip.

Thomson is still trying to remember where they found the books when they feel the hairs prickle on the back of their neck and there is the unmistakeable sensation of not being alone in the room.

They turn round, and the man who had been sitting next to Blavatsky at lunch is standing there watching them. His gaze is open, frank, intense, unguarded, unapologetic. Most people only meet someone else’s gaze in conversation, and even then it is not constant. This man looks at Thomson as if they are a laboratory specimen.

“Some extra-curricular reading, I see,” he says. His voice is smooth, warm, exuding a confidence that is almost electrifying. This man walks into a room and owns it, no matter the room, no matter the company.

“I…” Thomson stumbles and Ashley takes over. “I was looking for something on animal companions and I felt drawn to these books. There was something in them that just called to me.”

“And you’ve read them, I take it?”

“I’ve looked at them. I can’t claim to have read them.”

“Hmmm.” He smiles, but the smile doesn’t reach his eyes. They are dark and deep, almost black, and it seems impossible a smile would find space inside them. “Marina told me you were sensitive. She must have been right. Most people couldn’t even find those books.”

“What… What do you mean?”

“I could bring your friend Luna in here, tell her those books were in here and I wanted them, and she still wouldn’t be able to find them. That you could suggests something odd, don’t you think?”

“I don’t understand.”

“No. I don’t expect you to.” He perches on the edge of a table and drums his fingers on the edge. The amulet is still tucked safely under his shirt; Ashley can see the chain around his neck. “I imagine Marina will be along shortly to find out what you’ve learned about companion animals.” There’s something supercilious in the way he says it, as if he doesn’t really believe they exist. “I think you should probably have something to tell her, don’t you?”

Without waiting for a response, he leaves the room.

Feeling like that could have gone a lot worse, and that was quite possibly the best person to have found them reading the wrong books, especially those books, Thomson finds the place on the shelf for the two volumes, then starts riffling through some books on animal magic.

Maya finds John stumbling around between several stalagmites. He walks into one, rebounds, turns, walks until he hits another one, rebounds, turns, walks until he hits another one… He’s like a Roomba that can’t find its way out of a bunch of furniture.

Mayra grabs his arm and keeps going, dragging him with her out of the cave. They only stop once they can see the sky.

“Whew!” John says. “Thanks for getting me out of there. I don’t know what happened. It was like I was mazed, or something.”

“Probably something to do with the magical defences. At least you didn’t drop the box.”

John still has the comms box in his hand.

“No. There is that. Where’s Bea?”

“She said something about a portal to Hell and being able to counteract it or something.”

“A portal to WHAT?!” As John’s phone picks up the nearest cell tower, it buzzes in his pocket. He pulls it out and reads the message. “Speaking of Hell, I’ve got a message from Thomson.”

Maya leans over and looks at it. “We should forward that to someone. Here. I’ll give you Dakota’s number.” She pulls up his contact details on her own phone and shows them to John.

“Okay. What do you want me to say?”

“‘Found this picture of an amulet, can you find out about it’?”

John dutifully types his message into the phone and hits send.

“Hopefully he’ll be able to tell us what it means,” Maya says.

The park themselves on the picnic table by the cave entrance and settle down to wait for Bea.

Ashley looks up when Marina Blavatsky comes into the room and sits gracefully on one of the chairs.

“Did you find what you were looking for?”

“I think so,” Ashley says. “I’ve learned that seagulls are social, and they look after their family, but they don’t like to be too close — herring gulls don’t like to touch each other like other gulls do, and they keep a ‘safe distance’ from others of their kind. But they don’t like to be alone, either, and they only really fight over food, or to protect their eggs and chicks. If there’s more food than one bird can eat, they call all the other birds to come and share.”

“It sounds like your gull friend was giving you advice on how you can be part of this community,” Blavatsky says, clearly moved.

“I have to say, this really does speak to me,” Ashley says.

“It seems to me that the gull was saying that you do belong here, and you can be part of our community and share in our greater mission, but we need to make sure you have your personal space.”

“I think so. I’m so glad you feel that way too.”

“I think I shall speak with Topaz and we shall come up with a programme for you that you can work on that involves less personal contact than we would generally advise for someone with your particular blockages. Especially given how sensitive you clearly are.”

“That would be marvellous.”

“I’m so pleased we had this chat,” Blavatsky says. “Shall we go and see about getting you settled in?”

As they walk out of the library, Ashley realises they sense nothing in Blavatsky that would have come from the man with the amulet. Thomson had thought maybe the man was acting as a power bank for Blavatsky; a contractor she’d brought in to amp up her abilities. But Ashley can’t detect anything like that.

And Thomson begins to wonder what it means that they can tell.

Bea hefts the pouch in her hand, then hurls it at the ground by her feet. It explodes in a cloud of sparkly, rainbow-coloured dust, and she feels the terrible effect of whatever is down there move into the background. It’s still there, but muted, muffled, like hearing someone speak in another room.

She follows the increasing intensity — the thaumobars — deeper into the cave, aware that she doesn’t have long before this armour wears off. The sheer intensity of this dark magic field will wear it away.

Another couple of hundred metres in, and she finds another pool of water in a cavern. It glows with intense sapphire light. There is a rocky outcrop in the middle of the water and, hovering above the outcrop, an orb. It rotates slowly, eldritch blue glimmers emanating from odd shaped cut-outs on its surface.

She can’t get any closer. Her armour isn’t potent enough to combat the magic here. Grimacing, she takes her bolas from her pocket and lets fly. It hits the orb squarely, but the rope parts, and the pieces fall into the water.

With a muttered curse, she realises there’s nothing more she can do here. She can’t get any closer, and her armour is starting to fade. She quickly scans the cavern, looking for clues, but it’s becoming harder to concentrate, and images she had thought long-forgotten are introducing into her thoughts.

She turns and heads back out of the cave.

It’s such a relief to be out of the most intense part of the dark field that the mazing has little effect on her. She makes it out through the stalagmite maze and past the cage no problem.

Just as she’s feeling the sense of relief at making it out turn to frustration at not being able to accomplish more, she hears footsteps behind her. They are running.

She spins around.

Quartz is sprinting towards her. His expression is stone cold, his eyes murderous.

And he has a gun.